Sally joined UCA Rochester as an associate lecturer in 2017 and became a senior lecturer and Year 2 Leader for BA Photography & Fashion Photography in February 2021. She has previously lectured in Film Arts, Media Arts and Contextual Studies at Plymouth College of Art, Plymouth University and Ravensbourne, London.
Sally Waterman creates autobiographical photographic and video works that explore memory, place, familial relationships and the archive. She received an MA Image & Communication from Goldsmiths, University of London in 1996 and gained her practice-based PhD in Media and Photography from the University of Plymouth, in 2011.
She has worked as a part time archive manager for the German fashion and fine art photographer, Juergen Teller since 2009 and has previously worked as an archivist for Pentagram Design and the National Portrait gallery, London.
Commercially, Sally’s photographs have been published by clients such as Virago, Random House, Harper Collins and Faber & Faber for a variety of book covers through Millennium Images Ltd, who have represented her since 1996.
Her work has been exhibited extensively, including Derby Museum & Art Gallery, Midland Arts Centre, Birmingham; Nottingham Castle Museum, Wolverhampton Gallery, York Art Gallery, Oriel Davies Gallery, Newtown, Wales; Pitzhanger Manor House and Gallery, London; Royal West of England Academy, Bristol; Pi Artworks, London, MK Gallery, Milton Keynes; Turner Contemporary, Margate and Künstlerhaus, Dortmund, Germany.
Her films have been screened at numerous international festivals, such as Aesthetica Short Film Festival, York; Berlin Experimental Film Festival; The Family Film Project International Film Festival, Porto, Portugal; Tasmanian International Video Art Festival, the 19th International Kansk Video Festival/SOPROMAT-TV, Russia and Video Art Miden, Greece.
She has co-curated artist film programmes at Richmond American International University, London; Birkbeck cinema, London; ViSiONA festival, Huesca, Spain; Close-Up cinema, London and CCA, Glasgow.
Her work is held in public collections including The National Art Library at the V&A, London; Tate Library, London and the Yale Center for British Art, New York, as well as universities such as Goldsmiths, Manchester Metropolitan University; University of Denver and The School of Art Institute of Chicago.
She has regularly presented papers on her practice-based research at conferences across the UK and Europe, including Goethe University of Frankfurt, Germany, Birkbeck, University of London, University of Hull, University of Cumbria and University of Lincoln.
Published works include ‘Performing Familial Memory in Against’ in Picturing the Family: Media, Narrative, Memory, edited by Silke Arnold-de Simine and Joanne Leal (Bloomsbury, 2018) and ‘Re-imagining the Family Album through Literary Adaptation’ in Global Photographies: Memory–History–Archives, edited by Sissy Helff and Stefanie Michels, (Transcript, 2018).
She was a visiting fellow at the IGRS, University of London (2011-2012), where she organised the 'Family Ties: Recollection and Representation' conference. As a founder member of the subsequent research group, Family Ties Network, she has organised, and hosted a number of symposium, research seminar events and screenings across the UK.