NEIL BOTTLE 2019
The 'All that Remains - Thirty Years in the Making' body of work celebrates 30 years working as a textile practiioner and an exposition of printed textile artworks which explore memory recall from both contemporary and historical archive photography.
MARILIA HENANDES JARDIM 2018
Presentation of a paper addressing the visual analysis of the veiled body, examining images of the veiled body in its plastic, as well as the Socio-cultural sumulacra emerging from such images.
LEE WIDDOWS 2018
Two books celebrating the Vaughan Oliver archive published in September 2018. Book 1 'Materials and Fragments', Book 2 'Remnants and Desires'.
ADAM KNIGHT 2018
The science-fiction film titled 'The Third Jumper' is a concluding piece of practice extending from my research in the former East (Cultural Monuments of GDR History) and the current West (Trackingshot - Desert Sessions).
ANNE REIMERS 2017
Using Kracauer’s essay ‘Photography’ as a starting point, this article, for the academic journal, Art History, argues that Otto Dix’s Portrait of the Dancer Anita Berber (1925) should be understood as an intervention in Weimar Modernity’s discourse about the relevance of painted portraits in an image economy increasingly dominated by photographic reproductions.
SHELLY GOLDSMITH 2017
An internal and external cloth landscape explores the psychological theory ‘Locus of Control’ through a series of drawings and photographs printed onto the inside and outside surfaces of the dress form. Focusing on 2 locations, Ohio, USA and the Thanetian Coast, Kent, the work is an investigation into the construction of the sense of self.
EVELYN BENNETT AND REBECCA WATERWORTH 2017
Light Dial was a collaboration between the Rambert Dance Company, Collectress and the artists (Evelyn Bennett and Chris Rutter) to design and make wearable sculptural costumes for the dancers and performers in a new piece of work. Fabric with original designs were printed and made into the costume pieces.
EVELYN BENNETT 2016
Evelyn and her artistic collaborator, Chris Rutter, exhibited a large scale collage at the Festival and ran a workshop for members of the Collagistas community and the general public. This was also partially funded by the British Council.
EVELYN BENNETT 2017
The use of collage in textile design and poetry was explored with a digitally printed fabric book of cut-up poems.
ADAM KNIGHT 2017
Four UK based British artist used A-Z West as a test site for the production of 14 live broadcast artworks. Over a two-week period, live artworks were broadcast daily from A-Z West to UK subscribers, directly to their desktop/tablet as pop-up windows and the via Field Broadcast’s app.
ADAM KNIGHT 2016
This research project is derived from a researched transcript outlining 360 sites of architecture from the German Democratic Republic. It is leading towards a book, to be published by M Books, Weimar, Germany in 2017/18, which will be showcased at fairs and stocked in art and architectural bookstores across Europe.
ANNE REIMERS 2016
Using Kracauer's essay 'Photography' as a starting point, this article argues that Otto Dix's Portrait of the Dancer Anita Berber (1925) should be understood as an intervention in Weimar Modernity’s discourse about f the relevance of painted portraits in an image economy increasingly dominated by photographic reproductions.
EVELYN BENNETT AND REBECCA WATERWORTH 2017
Light Dial was a collaboration between the Rambert Dance Company, Collectress and the artists (Evelyn Bennett and Chris Rutter) to design and make wearable sculptural costumes for the dancers and performers in a new piece of work. Fabric with original designs were printed and made into the costume pieces.